Who Owns the Line You Draw at Work?
Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.
Concept design · Streams · Commentary · Prints
You are in the right place. Twenty years of concept design, layouts and animation — streamed live most weeks, printed for your wall, and interrupted regularly by opinions about labour and policy. One door, four worlds behind it.
From studios I have drawn for, collectors who hung the prints, and the people in chat every week.
01 — Portfolio
Conceptual design, illustration, layouts, animation and props — filterable by discipline, every piece opening full-screen with production notes.
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03 — Politics
Essays, video commentary and notes from the room where the budget actually gets decided.
Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.
A breakdown of why studio-side tooling arguments keep landing at the same table, and why the fight is structural rather than technical.